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This article was originally published on November 17.
Its about desire, she said.
The big hitter in that moment was Barrys performance, says Hartstone.
That slurp you hear, the sound he created, was from him.
From the sound side of things, it was all leading up to that moment for him.
Another key ingredient in that collection of perfect, revolting sounds?
You have to do an awful lot of recording to find the absolute right sounds.
The sounds of all those sexual scenes needed extra tackiness, says Hartstone.
Sex is messy and passionate, the reality is its sticky.
Yet, sound effects for these scenes had to be subtle.
Much like Oliver Quick seducing a menstruating Venetia, our Foley team was very hands on with it!
Vomit is always such an evocative sound, says Hartstone.
Vomiting is such a sensory thing its not just the visual, its the sound and the smell.
He bumps into the now-childless widow at a cafe, where she warmly invites him back to Saltburn.
Soon after signing over her estate to him, she falls sick; presumably, Oliver has poisoned her.
This choice was to create an authentic and impactful sensory experience, emphasizing the brutality of the moment.
Then, there was even more veggie-bothering.
Oh, the octopus came in handy again for that sucking sound as well.
