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Its a battered joint in the Australian outback, a dive standing alone in a vast stretch of scrubland.
They dont get to see much beyond the immediate vicinity of the bar, which they live upstairs from.
As the two soon learn, those favors come with strings attached.
Its a messier and less devastating work, but its nevertheless very effective.
A sickening anxiety hangs over these scenes, as well as the possibility of gang rape.
But the films not all dread, which makes Hanna and Livs decision to stay more plausible.
The pair overlap briefly with their predecessors, two hard-partying English girls who seemed to have a great time.
Then again, seemingly quiet ones like Dolly (Daniel Henshall) reveal themselves to be incredibly menacing.
The relationship between Hanna and Liv is the films grounding element as well as its biggest weakness.
