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This collection of works would reflect real events.
The painting, equally clinical and tempestuous, depicts Emmett Till.
Factually, Emmett was 14 years old when he was brutally murdered in Mississippi in 1955.
Factually, Emmett was kidnapped.
Photographs of the young boy were published inJetmagazine, the ChicagoDefender,and other Black-press outlets.
WhenOpen Casketbecame the subject of protests and news coverage, Schutz explained the emotional impulse behind the painting.
The thought of anything happening to your child is beyond comprehension, she said.
Their pain is your pain.
My engagement with this image was through empathy with his mother.
Is empathy a retweet or a signal boost?
A painting in a biennial?
Who feels the weight of immeasurable loss, and who benefits?
Who tells us whats real?
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