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TheJohn Wickworld is powered by maximalism: more guns, more bullets, more Keanu Keanu-ing.
Rather,The Continentalassigns OConnor opinions, quirks, and dialogue that seem purposefully evocative of Gibsons real-life meltdowns.
Maybe thats narrative shorthand, a way forThe Continentalto spend more time on its 70s-era pastiche.
What isoffensive, though, is howThe Continentalwas satisfied with having Gibson doonlythat.
