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Girl and boy fight.
Girl chooses to stand by and emotionally support boy at an important moment in his career.
Girl rededicates her entire life to boy, happily, despondently, or ambiguously ever after.
The latter have lives and motivations of their own; the former dont.
Its key to restoring some of the mans dignity heading into the final act.
Nobody did that better last year than Emily Blunts Kitty Oppenheimer.
She flusters her adversary, then finishes him off with a knowing smile.
Her girlboss rays are set to stun.
Until now, homosexuality inMaestrohas played out in foot rubs, furtive glances, and a single kiss.
Bernsteins sexuality is a personality quirk, and he has found the woman who can cope with it.
Leonard Bernstein, for all his greatness, is reduced to nothing but a basic faggot.
Sounds like a Wife!
It is clear immediately that these two are not in a happy marriage.
Slowly, we learn she blames him for their son Dinos death.
Nevertheless, Lauras main occupation is sulking and skulking in shadows, being mad, and throwing vegetables.
Its very impressive work.
Enzo is never fully forgiven or emotionally supported, and Laura never leaves the shadows.
YetNapoleonwins this award because its supreme lack of perspective on its female lead reads as a stylistic choice.
Josephine is so entirely illegible a character that it becomes impossible to look away from her.
Who is this woman?Whyis this woman?Napoleonhas no answers.
Shailene Woodley, in bothFerrariandDumb Money, is deeply understanding and supportive.
