He depicted the American experiment, one family at a time.

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Tell me that expressed no point of view!

Lear hadnt even seen the original; he read a description of it inTV Guide.

But he was immediately reminded of his own relationship with his father.

On the set of All in the Family, 1971. Lear is speaking with Carroll O’Connor; Jean Stapleton is at the kitchen table, with Sally Struthers and Rob Reiner at far left.

Instead, its a brawl.

Within moments, Mike and Archie get into it over race and economics and the American dream.

Youre going to tell me that the Black man has had the same opportunity as you?

On the set with Bunkers and friends.

More, hes had more!

I didnt have no million people marching out there to get memyjob.

No, Edith leans over from the dining table, trying to be helpful.

With President Carter at the White House, 1978.

His uncle got it for him!

The patriarch who should be a loving, wise guide is actually a buffoon.

At the start, those exterior shots of the house at 704 Hauser Street seem so anodyne.

Sherman Helmsley and Isabel Sanford as the Jeffersons.

This is the lie TV has let us tell ourselves, those credits say.

And yet the vision of American life in Norman Lears television is not pessimistic.

There are dark moments, absolutely, but theres so much tenderness too.

One Day at a Time, the original, starred Mackenzie Phillips, Bonnie Franklin, Valerie Bertinelli.

Its like this throughout Lears work.

The monoculture of television before Norman Lear could never have held for long.

In Lears conception of culture and democracy, the fight was the thing we shared.

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People living together and fighting and still coming out the other side as a family.

He took the audience and he put them on the set.

My view is that we made comedy safe for reality, Lear wrote.

I was angry at the lunacy that I saw in the world.

But for me there was always infinitely more love.

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