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Its glee is infectious, but it peters out long before the movies over.

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This is a nervy gambit particularly in conjunction with a twist involving Audreys reluctant search for her birth mother.

(The script, by Cherry Chevapravatdumrong and Teresa Hsiao, feels sharper than the overall movie.)

But while Park is a charismatic lead, the movie never seems comfortable clowning on her characters cultural disconnection.

Maybe whats holdingJoy Rideback is that theres a sense of responsibility accompanying its R-rated high jinks.

ButJoy Rides problem is that it never really manages to cut loose.

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