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Every intimate scene inFemmehas an undercurrent of violence.
All of it,Femmecompellingly argues through dynamic lead performances from Nathan Stewart-Jarrett and George MacKay, is malleable.
Sex can be a rigid rubric of performance for some and a fluid experiment in expression for others.
(Its a lot like Paul Verhoevens masterfulEllein how it approaches sexual consent and vengeance.)
WhenFemmeblows up its own argument for love as a cure for all ills, youll feel it.
