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And the whole monstrous-conditions-as-metaphors-for-forbidden-desire thing became rather passe years ago.
Director Luca Guadagnino wisely makes sure not to play things too coyly or abstractly.
So at least theres that.
Part of the problem might be the lack of chemistry between its two stars.
Thats not to say that theyre not talented.
But Chalamets performance doesnt convey any of this inner conflict; theres no tension behind the eyes.
Could it be the filmmaking?
It feels like exactly the wrong choice for this particular performer.
It prevents the movie from having any kind of pulse.
Rylance can turn a meek murmur into a menacing glare at a moments notice.
Chloe Sevigny briefly shows up late in the film for one quiet, scarring scene.
The approach might have worked, once.
Wim Wenders used to make movies like this in his sleep.
Its hard to sense any similar affection or interest in this world on Guadagninos part.
