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Theadhanorazan, the Muslim call to prayer, is ubiquitous inThe Blue Caftan.
But that familiarity doesnt make theadhanany less sonorous, orThe Blue Caftanany less transportive.
Maryam Touzanis film is as precise and vivid as its titular garment.
InAdam, Azabal played a widowed baker who takes in a pregnant, unmarried young woman.
Youssef soon draws Minas passive-aggression after she notices Halim looking at him a little too long.
Can you tell where this is going?
When you have nothing left to lose, what are you brave enough to do?
When others expect you to share their beliefs, what freedom does their narrow-mindedness provide?
In those oppositional ideas,The Blue Caftanfinds the right fit.
