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There is no passivity inContempt.
Currans latest body of work finds its thesis inContempts depiction of French bombshell Bardot.
Shes in charge and in control of her sexuality, Curran says.
It embodies all of these things: questions about sexual liberty, questions about artistic liberty, she says.
This was the first time Bardots agent allowed the actors nudes to be depicted in such a manner.
Once developed, they are dyed using cyan, magenta, or yellow and transferred onto paper.
The method is similar to how Technicolor films are processed.
Its very much about having the freedom to be the artist you want to be.
Check out a few images fromGodard/Bardotbelow.
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